Tag Archives: indigenous

Stepping forward to the past: William Barak and William Dawes

Thursday 12 August 7:30-9pm, Institute of Postcolonial Studies

A conversation between Tony Birch and Ross Gibson

Two figures from the early days of the Australian colony that have fresh relevance today – an English scientist at the founding of Sydney and an indigenous leader at the birth of Melbourne.

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William Dawes arrived on the First Fleet as the official astronomer. After arriving, he developed a close relation with the Eora people and learned their language. In the South, Dawes experienced a kind of intellectual upheaval whereby he began to understand the world in a non-hierarchical, fluid and relational way that contradicted most of the rectitude that he’d been trained in. 
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William Barak was a Wurundjeri man and member of the party that met John Batman in the ‘purchase’ of the Melbourne area. During subsequent colonisation, Barak fought to protect Coranderrk, a self-sufficient Aboriginal reserve. This defence included three major walks to Parliament House.

During the early days of British settlement in Australia, the relationship between Indigenous peoples and Europeans was potentially quite open. Out of the many possible relationships explored at that time, a particular colonial paradigm emerged of squatters, missionaries and miners. Is it worthwhile delving back into the start of the colony for alternative paradigms that can inform our understanding of biculturalism today? Are there resonances with other colonial beginnings across the South?

Tony Birch writes short fiction, poetry, essays and art criticism. He also works as a curator and teaches creative writing at the University of Melbourne. His books include Shadowboxing and Father’s Day. He has recently been collaborating with artist Tom Nicholson including Camp Pell Lecture (2010) at Artspace.

Ross Gibson is Professor of Contemporary Arts at Sydney College of the Arts. He makes books, films and art installations. He is particularly interested in art and communication in cross-cultural situations, especially in Australia and the Southwest Pacific. His recent works include the books Seven Versions of an Australian Badland and Remembrance + The Moving Image (editor), the video installation Street X-Rays, the interactive audiovisual environment BYSTANDER (a collaboration with Kate Richards) and the durational work ‘Conversations II’ for the 2008 Biennale of Sydney.

Institute of Postcolonial Studies
78-80 Curzon Street
North Melbourne
Victoria 3051 Australia (
map)
Tel: 03 9329 6381
Admission – $5 for waged, $3 for unwaged, and free for members.

Call for AlterNative perspetives

AlterNative: An International Journal of Indigenous Peoples is calling for papers to be submitted now for 2010 publication.

AlterNative: An International Journal of Indigenous Peoples is a multidisciplinary peer-review journal. It aims to present Indigenous worldviews from native Indigenous perspectives. It is dedicated to the analysis and dissemination of native Indigenous knowledge that uniquely belongs to cultural, traditional, tribal and aboriginal peoples as well as first nations, from around the world.

Dedicated to the advancement of critical dialogue by, with and for native Indigenous peoples across the globe
Submissions responding to this general call for papers should relate to one or more of themes of the journal—origins, place, peoples, community, culture, traditional and oral history, heritage, colonialism, power, intervention, development and self-determination.

Author guidelines, including format and referencing styles, for submitting articles, commentaries and book reviews can be found on the AlterNative website. http://www.alternative.ac.nz

The Brazilian paradox in Australia

Last night, Brazilian academic and curator Ilana Goldstein explored the Brazilian paradox in the second talk of the Southern Perspectives series. How can a country that embraces racial mixing fail to support Indigenous arts? Why is it that a country like Australia, that takes whiteness as a norm, puts so many resources into developing indigenous creative industries?

Goldstein provoked much discussion. Philip Morrissey, Director of the Indigenous Studies major at Melbourne University, showed great interest in the utopian nature of Brazilian nationalism, but remarked that the Australian model can be seen by some as a form of cultural dispossession. The visiting South African artist Zanela Muhole suggested that this discussion show widen to include the state of indigenous arts in countries like her own.

Here is Ilana Goldstein, anticipating and reflecting on her talk:

Goldstein is founding editor of the journal Proa.

Ilana Goldstein talks about what Brazil might learn from Australian Indigenous arts

Wauja woven mask

Wauja woven mask

Looking from outside, Australia has been extraordinarily successful in developing an Indigenous cultural industry. This is particularly evident in painting, but is also present in other areas – craft, dance, film and music.

The situation is different in many other countries of the South. The regional cultures of Africa, Pacific and Latin America are quite rich, but the role of Indigenous artists is more marginal than in Australia. There are extremely few Indigenous artists exhibiting their work in Brazil. There are no Mapuche professional dance troupes in Chile. There no school of Khoi-San desert painting in South Africa.

Does the experience of Indigenous arts in Australia have something to offer other countries of the South? And what might these other countries have to give in return? What would be the best means of setting up this kind of exchange? How might this exchange further develop Indigenous arts in Australia? How does a southern exchange differ from the profiling of Indigenous art in centres such as the Musée de Quai Branly in Paris?

The session will explore these questions with a visiting academic from São Paulo, Brazil – Ilana Goldstein. Goldstein is in Australia with the task of understanding how the Australian model might be applied to Indigenous communities in Brazil such as the Tupi. The session will take the form of a conversation about what Australia and Latin American countries might have to share in Indigenous cultures.

Talk by Ilana Goldstein, UNICAMP – Universidade Estadual de Campinas, Brazil

Response by Philip Morrissey, Academic Coordinator of the Australia Indigenous Studies program at the University of Melbourne, will be a respondent.

Event details

Ilana Goldstein ‘From Papunya to Rio: the model of Australian Indigenous art across the South’
Wednesday 31 March 2010, 7:30-9:00pm
Institute of Postcolonial Studies
78-80 Curzon Street
North Melbourne (map)
Tel: 03 9329 6381
Admission – $5 for waged, $3 for unwaged, and free for members

Raewyn Connell ‘Thinking South: Re-Locating Australian Intellectual Culture’ 18 March 2010

The first seminar in the Southern Perspectives series at the Institute of Postcolonial Studies features Raewyn Connell, author of Southern Theory: The Global Dynamics of Knowledge in Social Science. Her book has proven to be a significant and highly controversial intervention into sociology and related disciplines.She has spoken about Southern Theory in academic forums around the world. This is a rare opportunity to address the questions raised by this book at a public forum in Melbourne.

This is the outline of her talk:

Modern Australia was formed by colonial invasion, dispossession of indigenous people, dependent development, and social struggles – framed in turn by the British Empire, the American hegemony, and neo-liberal globalization.  Australian intellectual culture, formed to a large extent around universities whose institutional ideology emphasises a placeless modernism, has had difficulty in locating itself securely.  A tension has long existed, for intellectuals of the settler population, between intellectual extraversion (in Hountondji’s sense) at the price of dependence, and a resistant nationalism that acknowledges place at the price of marginality.  One path beyond this is engagement with the legacy of colonialism and the situation of Australia’s indigenous people now; another is engagement with the structures of world inequality, exploring connections around the global South.  In this session I will sketch our place in a global political economy of knowledge; discuss the intellectual wealth of the periphery; and assess responses by Australian intellectuals to the difficulties and possibilities of our location in the world.

Raewyn Connell is University Professor at University of Sydney. See interview.

Event details

Raewyn Connell ‘Thinking South: Re-Locating Australian Intellectual Culture’
Thursday 18 March 2010, 7-8:30pm
Institute of Postcolonial Studies
78-80 Curzon Street
North Melbourne (map)
Tel: 03 9329 6381
Admission – $5 for waged, $3 for unwaged, and free for members